第一號管弦樂作品及其創作理念

Abstract

此論文包括兩部分，一為管弦樂作品，一為此作品之創作理念。此管弦樂 作品來自大自然環境的啟發，主要以五個不同的音樂事件（分別來自霧的 織度、鳥囀、蟲鳴、蛙鼓及人的詠嘆）來呈現。配合不同的音高內容、發 聲方式及節奏，造就不同長度的音樂意義單元。加以對生命現象榮枯過程 的體悟，將之展現於曲子獨特的形式與織度中，企圖以聲音來織就一個消 長不息的自然世界。創作理念中則先概述二十世紀音樂創作的特質，進而 介紹此作品之材料，探討此作品在控制音高結構、發聲方式、節奏、形式 及織度上所用的各種技法，來檢視這個音樂世界的流展過程。 The thesis includes two parts. One is the musical composition and the other is the verbal statement --- the idea of this musical work. The thesis composition is written for the symphony orchestra.The material and idea of this work are inspired by the sound of the natural environment and presented by five basic musical events. The musical events derive from the texture of mist, bird-singing, insect-chirping, frog- croaking, and human sigh. The form of the work is influenced by my view toward the life observd from the ebb and flow in the nature of phenomenon. At the beginning of the monograph, the idea of this thesis composition, I state some important musical concepts prevailing in this century as an introduction of the idea regarding this musical work. Afterward, different technique and methods controlling the work's pitch structure, articulation, rhythm, form, timbre and texture are examined here so that the representational process of the sound world could be inspected.