标题: | 全球在地化之感官经验及其文化表现:以“台北101”与“闪亮三姐妹”为例 (G)localization of the Sensory Experience and its Cultural Expressions in Taiwan: Taipei 101 and Shining 3 Girls |
作者: | 林建廷 Chien-ting Lin 黄宗仪 Tsung-yi Huang 外国语文学系外国文学与语言学硕士班 |
关键字: | 文化全球化;全球在地化;文化表现;文化政治;全球在地化之感官经验;世界主义;“台北101”;台客电子舞曲;“闪亮三姊妹”;Cultural globalization;Glocalization;Cultural expressions;Cultural politics;(G)localization of the sensory experience;Cosmopolitanism;Taipei 101;Taiker Techno Music;Shining 3 Girls |
公开日期: | 2005 |
摘要: | 本文主要探讨全球化过程中之台湾在地文化表现,包括建筑以及音乐,作者以为,若欲更为深入地掌握文化全球在地化的复杂性,当中不同的文化冲突,以及协商等互动过程,可从感官经验的视角切入。感官经验可谓是文化政治的斗争场域,交织各种不同的权力关系以及政治冲突,本文旨在论证感官经验是各种全球流动,诸如资本以及意识形态流动,与在地性互为作用,相互交涉的最重要媒介;亦即,感官经验作为全球在地化之文化表现的物质性基础。为了阐述全球在地化的感官经验此一概念,本研究针对台湾两个具代表性之全球在地化的文化文本进行分析:“台北101”以及“闪亮三姊妹”。以此两个诉诸感官的文化表现为例,可以进一步说明感官经验与文化再现之间的复杂关系。就“台北101”为例,本论文对其相关的论述生产以及形象再造进行分析,试图阐明“台北101”如何透过空间外观,商品形象以及各种视觉再现,藉由感官吸引,尤其在视觉上,营造一种世界主义的理想;在“闪亮三姊妹”一例中,主要分析她们音乐作品里的歌词和节奏等,并且检视她们的身体表演,讨论台客电子舞曲的在地转变以及在地差异,再度印证感官经验作为全球流动与在地因子交互作用的重要场域,批判性的检视感官经验全球在地化之训育面向,旨在挖掘更多台湾在地文化的因子以及寻求活络在地元素的可能性。 This thesis concerns the process of glocalization, the interaction between the global and the local, as witnessed in our cultural expressions, including architecture and music in Taiwan. To examine the cultural complexity of new conflicts, negotiations, and hybridization embedded within these glocalized cultural representations, it is essential to resort to the sensory experience. The sensory experience is one of the most contested terrains of cultural politics of various power relations such as cultural conflicts between elite’s culture and folk culture or political contradictions between the nation state and the global power. I contend that the sensory experience as both the medium through which various global flows such as capital and ideology enact on localities and the container that contains these flows in aestheticized forms, exemplified by artistic expressions as high-rise building and popular music in Taiwan as a result of globalization. The cultural texts I analyze include the new landmark architecture in Taiwan, Taipei 101 (台北101) and Taiker Techno Music (台客电子舞曲) along with the example of Shining 3 Girls (闪亮三姊妹). These two cultural texts of Taipei 101 and Shining 3 Girls help elaborate the intertwined relationship between cultural representation and sensory experience since they are two of the most sensually appealing and engaging cultural expressions to the viewers or audiences in Taiwan. In the case of Taipei 101, I analyze the discourse productions and image-making of Taipei 101 to elucidate how an ideal of cosmopolitanism appeals to our senses, dominantly the visual, through its outlooks, commodities and various visual representations in creating a sublime like awe. To illustrate how the local and the global factors re-create through each other in the sensory regime of Taiker Techno Music, I examine in detail the music and performance of Shining 3 Girls to demonstrate the local differences and variations. By unraveling the pedagogical perspective of the (g)localization of the sensory experience, I hope to tease out new factors and possibilities of local cultures in Taiwan. |
URI: | http://140.113.39.130/cdrfb3/record/nctu/#GT009145502 http://hdl.handle.net/11536/60746 |
显示于类别: | Thesis |
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