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dc.contributor.author李香瑩en_US
dc.contributor.authorHsiang-Ying Leeen_US
dc.contributor.author楊建章en_US
dc.contributor.author林暉鈞講師en_US
dc.contributor.authorChien-Chang Yangen_US
dc.contributor.authorHui-Chun Linen_US
dc.date.accessioned2014-12-12T02:16:00Z-
dc.date.available2014-12-12T02:16:00Z-
dc.date.issued2004en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT009146509en_US
dc.identifier.urihttp://hdl.handle.net/11536/60957-
dc.description.abstract本文是以楊納傑克小提琴奏鳴曲為研究對象，探討作者以語言音調( Speech-Melody )的方式寫作樂曲該如何詮釋演奏，及和聲上的理論探究。試著藉由作曲者本身的音樂理論的論述，透過樂曲本身的創作背景及樂曲動機結構及和聲的分析，找尋適合的音樂表現方式。zh_TW
dc.description.abstractThis paper is based on Leoš Janáček's Sonata for Violin and Piano. It will show how Leoš Janáček uses his own musical theory idea and “Harmonic and Melodic Expression of Speech-Melody” in his Sonata for Violin and Piano.en_US
dc.language.isozh_TWen_US
dc.subject楊納傑克zh_TW
dc.subject語言音調zh_TW
dc.subject節奏zh_TW
dc.subjectLeoš Janáčeken_US
dc.subjectSpeech-Melodyen_US
dc.subjectrhythmen_US
dc.title李香瑩小提琴演奏會(含輔助文件：語言音調( Speech-Melody )的器樂表達：詮釋楊納傑克小提琴奏鳴曲裡的節奏韻律與和聲zh_TW
dc.titleHarmonic and Melodic Expressions of 'Speech-Melody' in Leoš Janáček's Sonata for Violin and Pianoen_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
Appears in Collections:Thesis


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