標題: | 紙要 孩在 There is always hope |
作者: | 呂明怡 Lu, Ming-Yi 陳一平 Chen, I-Ping 應用藝術研究所 |
關鍵字: | 紙雕塑;孤獨;雨;紙要 孩在;paper sculpture;solitude;rain;“There is always hope” |
公開日期: | 2012 |
摘要: | 你孤獨嗎?你害怕孤獨嗎?再怎麼樂天的人,也多少有感到孤獨的時候,然而人為什麼會孤獨呢?又該怎麼跟孤獨相處?
此論文為「紙要 孩在」創作展覽的紀錄與探討論文。以孤獨為軸線應運而生之畢業創作,溶入了作者對孤獨的感受與思考。藉由對作品的探討,希望從創作者的角度跳脫,從不一樣的視角檢視、探索自己的創作歷程與作品,更深入了解作品所要傳達的意義,分享藝術創作賦予創作者的鼓勵與能量。
文中鉅細靡遺的闡述整個創作構想的始末,解析概念來源與創作目的幫助作者了解自身與釐清作品所欲表達的意義與目的。內文回顧與整理了創作歷程中所受到啟發之相關文獻,更納入與此創作主題相似的藝術作品及藝術家資料,藉由深入淺出的探究、分析與整理,讓整個創作論述與概念更清晰完整。並記載了《紙要 孩在》概念發想之演變、製作媒材與展覽佈置的詳細流程。
本創作設計於2012年交通大學應用藝術研究所畢業聯展《超市晃晃》展出,並於展出中觀察觀者的反應,獲得諸多肯定與用心的回饋,稍加歸納整理後集結於本論文。最後總結創作過程中面對的問題與挑戰,提出可再改進或發展的方向與建議,以提供未來也從事大型空間展示的相關創作者參考。 Are you lonely? Are you afraid of being lonely? No matter how optimistic you are, you may still feel lonely once in a while. Why do people feel lonely? How can they get along with loneliness and make it a good experience of solitude? This dissertation recorded and discussed the formation of the exhibition “There is always hope”. It is basically created from the artist’s feeling and thinking about “solitude”. The author explained the inception of the idea and the purpose for creating the work clearly. She also tried to detach herself from the piece and took different viewing angles to inspect the work to comprehend the deeper meaning of the work so that she could understand herself more completely. Then she shared the inspiration and the enlightenment obtained from creating the work as well. The author searched, researched, gathered and organized all the materials of some related art works and artists to make the artist’s statement clearer and more comprehensive. She not only illustrated the way and the procedure of making the work but also described the installation process of “There is always hope” in great detail. The art work was exhibited in 2012 “Stroll in the Supermarket” and it got feedback from numerous visitors and earned a lot of acclaim. The author collected all the feedback in this dissertation, too. In view of all the problems and the challenges that the artist was faced with during the creating process, the author put forward some proposals for improving or setting the direction of further development. She also provided some useful information for those who want to make Installation Art in the future. |
URI: | http://140.113.39.130/cdrfb3/record/nctu/#GT079842521 http://hdl.handle.net/11536/72393 |
顯示於類別: | 畢業論文 |