李易真大提琴獨奏會(含輔助文件:前衛或傳統?米亞斯可夫斯基之風格與俄羅斯現代主義的融合:以第一號大提琴奏鳴曲作品十二之分析與詮釋為例)

Abstract

本文以米亞斯可夫斯基的第一號大提琴奏鳴曲，作品12為研究範圍，從作曲家的「早期風格」探討此奏鳴曲的演奏詮釋。透過二十世紀初期俄羅斯當代音樂發展概況與米亞斯可夫斯基的生平與背景介紹，以及奏鳴曲的分析，探究米亞斯可夫斯基的早期風格，瞭解作曲者之個人音樂語言以及其所欲傳達的意念，尋求此曲合適的詮釋方法。

This paper is focused on Nikolai Yakovlevich Miaskovsky’s Sonata for Cello and Piano, op.12 (1911). The Sonata exemplifies Miaskovsky’s exploration of modernism with an inclination toward late romantic traditions. This paper discusses the aesthetic origins and compositional philosophy of Miaskovsky’s early style in the first decade of the twentieth century. In particular, this paper shows his struggle to establish a personal musical style and demonstrates his remarkable craftsmanship, accompanied with a detailed analysis of the stylistic practice and musical structure.