徐比齡鋼琴演奏會 含輔助文件:談海頓鋼琴奏鳴曲的創作手法與演奏議題—以Hob.XVI：50為例

Abstract

本文以海頓C大調鋼琴奏鳴曲Hob.XVI：50為觀察對象，除了介紹其創作背景及作品種類之概論外，更深入於樂曲的曲式結構、創作素材、變奏手法等多方面探討。在詮釋方面，筆者嘗試針對文本之速度、裝飾音、力度、延長記號和圓滑線、斷奏等演奏要素，提出解讀方法與詮釋建議。

This paper is focused on Haydn's Piano Sonata Hob.XVI：50. It begins with an introduction to Haydn's keyboard Sonatas, followed by a discussion on the structure and the usage of compositional materials in this sonata. Finally I attempt to find out the most appropriate interpretation performance for this work.