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dc.contributor.author劉佳穎en_US
dc.contributor.authorChia-yin Liuen_US
dc.contributor.author楊建章en_US
dc.contributor.author吳庭毓en_US
dc.contributor.authorChien-Chang Yangen_US
dc.contributor.authorTing-Yuh Wuen_US
dc.date.accessioned2014-12-12T02:59:44Z-
dc.date.available2014-12-12T02:59:44Z-
dc.date.issued2005en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT009346506en_US
dc.identifier.urihttp://hdl.handle.net/11536/79801-
dc.description.abstract本文是以易沙意的第四號無伴奏小提琴奏鳴曲為主要研究對象，並附帶研究法比樂派的發展背景和前人作品。藉由樂譜的分析和比對，找出此樂派小提琴技術傳承的共同特色，進而與易沙意該曲相互比較。探究易沙意如何運用新與舊的技術，來表現絢麗的小提琴音樂。zh_TW
dc.description.abstractThis paper discusses E. Ysaÿe’s Sonata for Violin Solo No. 4 with reference to its historical position in the so-called Franco-Belgian School. This paper compares Ysaÿe’s composition styles with those of his predecessors. This paper demonstrates how Ysaÿe combines old and new techniques to show colorful violin music.en_US
dc.language.isozh_TWen_US
dc.subject易沙意zh_TW
dc.subject法比樂派zh_TW
dc.subject小提琴技術zh_TW
dc.subjectE. Ysayeen_US
dc.subjectFranco-Belgian Schoolen_US
dc.subjectviolin techniquesen_US
dc.title易沙意對法比樂派小提琴技術之傳承與創新~以其第四號無伴奏小提琴奏鳴曲為例zh_TW
dc.titleE.Ysaÿe’s Continuation and Innovation of Violin Techniques of the Franco-Belgian School--Sonata for Violin Solo No.4en_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
Appears in Collections:Thesis


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