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dc.contributor.author何欣蓮en_US
dc.contributor.authorHsin-Lien Hoen_US
dc.contributor.author蔣茉莉en_US
dc.date.accessioned2014-12-12T03:08:53Z-
dc.date.available2014-12-12T03:08:53Z-
dc.date.issued2007en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT009446513en_US
dc.identifier.urihttp://hdl.handle.net/11536/81941-
dc.description.abstract本篇文章主要以李斯特《但丁讀後—奏鳴曲風幻想曲》為對象,作深入的詮釋探討,並沿用後結構主義的互文性理論剖析音樂文本,豐富當代演奏詮釋的可能性。zh_TW
dc.language.isozh_TWen_US
dc.subject李斯特zh_TW
dc.subject但丁zh_TW
dc.subject互文性zh_TW
dc.subject巡禮之年zh_TW
dc.subject標題音樂zh_TW
dc.subject浪漫主義zh_TW
dc.subject浪漫樂派zh_TW
dc.subject鋼琴zh_TW
dc.subjectLiszten_US
dc.subjectDanteen_US
dc.subjectInter-textualityen_US
dc.subjectprogramm musicen_US
dc.subjectRomanticsmen_US
dc.title何欣蓮鋼琴演奏會含輔助文件:李斯特《但丁讀後—奏鳴曲風幻想曲》之演奏詮釋探討及互文性研究zh_TW
dc.titleHsin-Lien Ho Piano Recitalwith a supporting paper:Inter-textureality in Romantic Music An Interpretation of Franz Liszt’s Apr□s une Lecture de Danteen_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
Appears in Collections:Thesis


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