江中孤嶼 原創管絃樂作品與註釋

Abstract

管絃樂曲《江中孤嶼》為一首三管編制單樂章。此曲靈感以南宋詩人謝靈運的山水詩《登江中孤嶼》為背景，透過詩人對於江北山水風景描繪，並借景抒情將自身懷才不遇之苦，以暗喻的方式表達於詩中。樂曲結構於功能上可分為A B A'，各段落之間分別由數個樂句組成，創作思維及美學上嘗試向亞洲作曲文化思維靠近並發展。音高設計以六音音階組成的複合和弦為主，段落間，再以三組六音音階所發展出的五聲性十二音安排於其中，最後，在音色上則透過配器融入傳統樂器「笙」、「古箏」、「中國笛」的語彙和聲響，更直接引用古曲《古怨》，透過小提琴、中提琴的加花、變奏…等技術揣摩傳統樂器「古琴」之聲響。在這些配器運用與織度手法的使用，創作者期望透過各種不同的技術聲響的嘗試與實驗後，創造出屬於自身身處環境之音樂語言，並表達出最真實之自我。 文字陳述分為四個章節，第一章緒論說明音樂創作外在意義與內在意涵，以及《江中孤嶼》之文學背景。第二章針對三位近代作曲家:尹伊桑、細川俊夫、李給替之作品特色予以分析，藉此追朔筆者創作觀念之形成。第三章從各種不同角度詳細探討《江中孤嶼》中使用之創作技巧與素材設計安排。第四章為筆者在研究所創作階段之初結,試圖經由檢視過去脈絡而更深入地了解音樂之內涵與本質,期許在未來能夠不斷向前並且持續創作。

“Isle in The River” is a single-movement orchestral work, inspired from a landscape poem, “Deng Jiang Zhong Gu Yu (Ascend Isle in the River), written by Xie Lingyun (385-433). Through depicting the landscape, the poet expresses his emotion and encounter into his poem. The composer expresses his feeling into music after reading the poem.

In the piece, the pitch material is based on hexachord and pentatonic with twelve serial scale. Through the orchestration and textural writing, the composer manipulates and experiments various timbres to establish his unique musical language and to express his emotion effectively.

This article statement is divided into four chapters. The first chapter illustrates the external meaning and the internal sense of a musical composition and the literature background of "Isle in The River". The second chapter traces the formation of the composer's creative notion by analysing three original works written by Isang Yun, Toshio Hosokawa and György Ligeti. The third chapter discusses the compositional techniques thought various aspects. The last chapter concludes the composer’s creation achievement in the institute and reviews the past musical materials in order to understand the musical fundamentals and be the writer's motivation of musical creation.