共享的瘋狂： 美劇《漢尼拔》之拉岡式分析

Abstract

1933年拉岡(Jacques Lacan)於超現實主義雜誌《米諾托》(Minotaure)發表討論帕品姊妹(Papin Sisters)二聯性精神病(folie à deux)的文章為其精神科法醫的代表作。本文將延續其探討二聯性精神病的方向，檢視美國影集《漢尼拔》(Hannibal)中法醫精神科醫師漢尼拔(Hannibal Lecter)如何藉由本身對精神病學知識的了解，去引導、架構並在犯罪側寫員葛雷厄姆(Will Graham)腦中植入他的妄想。

影集《漢尼拔》為湯瑪斯‧哈里斯(Thomas Harris)小說《紅龍》(Red Dragon)於2013年的最新改編版本。原著《紅龍》與1980年代聯邦調查局打擊罪犯的正面形象興起息息相關，其後改編也以邪不勝正為題；然而此劇卻著重於心理層面並描寫主角陷入連續殺人犯的妄想而墮落。本篇論文試圖以分析二聯性精神病證明影集《漢尼拔》反應角色漢尼拔的心理狀態。

本論文首先將探討原著《紅龍》、其電影改編以及影集版本的異同，並分析改編之處對影集的影響。第二章將結合拉岡鏡像理論與罪犯測寫，透過測寫劇中的連續殺人犯進一步了解漢尼拔與葛雷厄姆的關係。最後將會介紹二聯性精神病，以及分析漢尼拔如何實踐他對精神疾病的認知，達到與葛雷厄姆分享其妄想的目的。

This thesis examines how folie à deux, the madness for two, is constructed and instilled in a subject in NBC’s Hannibal (2013). Focusing on the relationship the serial killer Hannibal Lecter and the profiler Will Graham, the thesis discusses how the newest television adaptation is different from its forerunners and how the show builds the disorder through the interaction between those two characters around the serial killings committed and investigated.

This thesis consists of three chapters. Chapter one, “Transformation from Red Dragon to Hannibal” considers the differences among the novels, the earlier film adaptations, and the television series, focusing in particular on the novel Red Dragon (1981) as a point of reference. Chapter Two, “The Transformation of Will Graham” argues that Lecter’s obsession with Graham stems from Lecter’s narcissism and maps how he influenced Graham’s identifications. Chapter Three, “The Madness for Two”, examines the features of folie à deux between Graham and Lecter dramatized in the series. Since the requisites for developing the syndrome are consciously induced by Lecter, the madness shared by two of them is fact the madness of Lecter. From Graham’s relationship with other serial killers, I analyze how Lecter dominates Graham’s identifications and guides Graham ultimately to identify with Lecter.