記憶與經驗之下的迴盪-以《空間詩學》為文本論述

Abstract

從心理學的角度來說，創作與創作者本身的經驗有絕大的關係，例如藝術家草間彌生或鹽田千春，兩者藝術間接選擇了對自己重要的感知印象或者經驗作為創作的題材。那建築呢？ 在建築設計操作過程中，雖複雜的多，也關於設計發題與概念的連結性、機能與概念、結構的整合間的必要因素介入，但作者認為建築空間設計上，必然亦存在個人成長記憶對於空間創作上的影響，而<<空間詩學>>作者巴舍拉提出心理學上所對於經驗影響創作之觀點反而從現象學上由經驗的過程轉而談及意象更為精準，因此本論文的主軸將會在談論記憶及經驗影響下的空間設計操作，以「記憶」與「經驗」作為核心以不同觀點解讀而產生的不同於一般的設計操作卻同時具備並論述某些既定特質，並以記憶與經驗作為起始談論如何以個人式經驗創造出人可以感知甚至產生「迴盪」與「共鳴」的論文敘述。 巴舍拉在<<空間詩學>>中透過「場所分析」，論述空間原型使得空間才會顯現其形式意義之下的本質，因此在思考脈絡上，作者藉由場所下的自身迴盪談論大眾經驗以及創作者自身記憶的場所轉譯下，試圖在心靈與身體反應的脈絡下，觀其存在的意義，再經過連結與轉譯，找尋個人經驗的普同性。將個人記憶的獨特性轉換成經驗空間者對於空間本身的感知性。

From a psychological point of view, the creation and the creator's own experiences have great relationships, such as the project of the artist Kusama Yayoi or Chiharu Shiota, both selection of art on their own perception of important impression or experience as a creative theme. How about the architecture ? In the process of building design operation,it is more complex, but the authors believe that the architectural space design, inevitably there is also personal growth memories impact on the creation of space, and in The Poetic of Space, Gaston Bachelard presented that is more accurate that transfer the experience of the process to the creation on the phenomenology instead of from psychological view points. This paper will talk about space designed to operate under the influence of memory and experience, using "memory" and "experience" as the core of a different point of view interpretation arising from a general design and operation, using memory and experience as a starting to talk about how to create a personal experience of formula to make someone can perceive . Bachelard through "Place Analysis " , making the prototype space discussed make space to appear the meaning under the form, so the authors will through the space prototypes analysis and experience try to translate, and search for personal experience of people identity. The uniqueness of individual memory will convert experience to f the perception of the space itself.