馮玲軒電子音樂作品發表會含原創作品集與風伯蜚廉註釋文件

Abstract

本論文包含兩個部分：第一部分為作品《風伯蜚廉》之創作背景與理念、創作手法與樂曲分析；第二部分為作品《風伯蜚廉》之樂譜。 《風伯蜚廉》為結合長笛、打擊樂器與互動電子音樂而作，靈感來自古代風神傳說。筆者嘗試以西方現代科技的技術，演繹東方古老神話，將相互對比的元素融合，交織產生一個富有多元性的作品。史料轉化為音樂的過程中，分為噪音聲響的具象模仿，與動機音型的抽象模仿，兩者交錯現形，以明喻、暗喻的方式貫穿全曲，利用其概念在曲中表達其自然現象與人文之間的關聯與影響。 論文總共分為五個章節：第一章為緒論，闡述創作動機。第二章為作品創作理念，說明創作背景與古人風神傳說之音樂轉化，歸納了器樂與電子音樂結合之歷史演變、闡述神話所啟發的樂思、與論述科技對於音樂創作帶來的影響。第三章為作品之電腦技術，論述作品中電子音樂使用之技術與設計，如：濾波技術、顆粒合成技術、聲音之延遲技術、延伸技術、環行調變……等。第四章為作品分析，包含作品中的曲式結構、配器、音高材料、音色選擇及電腦應用……等創作技法的說明。第五章為筆者對論文之結語與省思。

This thesis consists of two parts: The first part comprises the idea of the composition, the compositional style and the analysis of the work. The second part is the composition Fei Lian. Fei Lian is scored for flute, percussion and live electronic music. This composition drew inspiration from the ancient myth of Fei Lian, the chinese lord of wind. The author tries to adopt the modern technology to interprete the legend of the Fei Lian. This work is intended to express the images of the wings through the music motives and the noises generated both from the instrument and electronic device. The work represents the mutural influence and relationship between nature and culture. The statement in the thesis is divided into 5 chapters: Chapter I introduces the compositional motivation of Fei Lian. Chapter II reveals the use of creation, including the background information of composition, the way that author transforms the image of wing god into the music and the use of music technology to the composition. Chapter III explains technique of electronic music such as filtering, granular synthesis, delay, stretch ……and so on. Chapter IV presents the analysis of the composition, including the structures, forms, instrumentation, pitch materials, timber, and the methods employed for the electronic music techniques. The chapter V offers general remarks on the contributions and reflections of this thesis.