林育誼作品發表會(含輔助文件" Miracle" : 原創作品與註釋)

Abstract

本輔助文件包括兩個部份，第一部分為 “Miracle” 互動音樂之創作理念、素材設計及其與曲體的互動架構；第二部份為“Miracle” 互動音樂作品及樂譜。本作品藉由 “Miracle” 英文單字七個字母為字頭形成“Mother”、“Interesting”、“Risk”、“Attempt”、“Courage”、“Love”、“Emptiness”七個段落，闡述人生各種歷程的起伏變化。樂曲編制為伊朗鼓Zarb、電腦、四聲道混音及揚聲系統。利用電腦程式Max/MSP的互動界面設計，使伊朗鼓聲響透過麥克風收音進入電腦即時處理後以四聲道喇叭送出，伊朗鼓演奏者再根據回應的聲響及樂譜指示決定演奏方式。本作品藉由數位音訊的處理、音樂素材的設計與劇場元素的融入表達對生命本質的反思與探討，透過「互動音樂」在跨領域特性中所展現的不同角色與關聯特質，經過縝密的動機設計與不確定性的即興演奏呈現，恰巧可表現出東方哲學中「緣起性空」、「真空妙有」、「無常」的哲思。 文字部份共分為五個章節，第一章為緒論；第二章講述創作理念與背景；第三章為創作素材的設計；第四章闡述樂念設計與曲體的互動架構；第五章為本論文之結語。

The supporting paper consists of two parts. The first comprises the composition incentives, the conceptualize process, and its interactive media design. The second consists of the musical score of "Miracle"."Miracle" is a seven-movement composition for interactive music. Each movement is named after its alphabet: Mother, Interesting, Risk, Attempt, Courage, Love, and Emptiness. "Miracle" is scored for Zarb, computer, and quadraphonic systems. The Interactive media is based on Max/MSP, which feeds the audio source from Zarb, re-computes the data, then echoes back to the performer. In return, the Zarb performer will respond to the synthesize source by following sets of performing instructions.This multi-disciplinary composition bridges the fields of music theatre, sound art, and instrumental performer. Each discipline reflects on the characteristics of life and aspects of eastern philosophy: "Dependent Origination and the Emptiness of Nature", "True Emptiness and Wonderful Existence", and "Impermanence".There are five chapters for the thesis. Chapter 1 is a preface. Chapter 2 discusses the composition incentives and its backgrounds. Chapter 3 covers the compositional motives and techniques. Chapter 4 covers the theory and design of the interactive music. Chapter 5 is the conclusion.