李雅芳中提琴演奏會(含輔助文件：蕭士塔高維契中提琴奏鳴曲，作品147號：從晚期風格中的「死亡」觀點來詮釋此奏鳴曲)

Abstract

本文以蕭士塔高維契的天鵝之歌－中提琴奏鳴曲，作品147號為研究範疇，從作曲家的「晚期風格」探討此奏鳴曲的演奏表現。試圖藉由蕭士塔高維契的背景介紹與奏鳴曲的分析，探究蕭士塔高維契的晚期風格，並且透過晚期風格中的「死亡」觀點，以尋得此奏鳴曲合適的詮釋方法。

This paper is focused on Dmitri Shostakovich’s swansong, his Sonata for Viola and Piano, op.147. This paper discusses the idea of Spätstil (late style) manifested in various theoretical discourses in the nineteenth and the twentieth centuries, and in the last compositions of Shostakovich. In particular, by documenting the composer’s own testimony and analytical evidences, this essay traces passages of the “death message” in his Viola Sonata