『有影嘸？』－媒體藝術創作與探討

Abstract

創作是將思想或觀念，以具體的形式表現出來的過程。二十世紀初，杜象（Marcel Duchamp）為了批判藝術是在模仿對象物的真實性，將繪畫與雕塑所模擬的對象－ 現成物（Ready-made）直接當成作品展示，他認為思想與製作同等的重要，要有思想藝術才可被執行；因此觀念先於藝術創作。 藝術創作對個人而言，是在關照事物的過程中，有目的傳達內在精神與心靈的感動，它可以作為「人與社會」或「人與自然」及「人與人」間的一種暗示和一種溝通。本論述內容探討媒體藝術創作中使用的科技媒材與創作觀念之間的脈絡關係；藉著科技在藝術創作上的特性，以創作作品來傳達「科技」給「人」和「社會」帶來的衝擊與所產生的變革，並陳述及反省科技帶給人類的隱憂。

Creating a work of art is a process of revealing one's thought or concept in a specific form. In the early 20th century, Marcel Duchamp judged the authenticity of objects that imitate real objects by using ready-made objects, which people used in paintings and sculptures to show his ideas of arts. He addressed that thinking as important as doing because arts are started from thoughts. For individuals, creating a work of art is a process of concerning surrounding with feeling. In other words, it is a process of expressing one's felling with inner spirit and soul. It can be a type of communication and implication between 'individual and society,' 'individual and the nature' or 'individual and individual.' This thesis explores relationships and conflicts between technology and the creation of a work of art. It also reveals how technology has impacted on individuals and society in art creation, and the side effects brought by technology.