Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 何艾菁 | en_US |
dc.contributor.author | Ho.Ai-Ching | en_US |
dc.contributor.author | 潘世姬 | en_US |
dc.contributor.author | Pan,shyh-ji | en_US |
dc.date.accessioned | 2014-12-12T02:30:05Z | - |
dc.date.available | 2014-12-12T02:30:05Z | - |
dc.date.issued | 2002 | en_US |
dc.identifier.uri | http://140.113.39.130/cdrfb3/record/nctu/#NT910248001 | en_US |
dc.identifier.uri | http://hdl.handle.net/11536/70003 | - |
dc.description.abstract | 本論文包括二個部分:一者為管弦樂作品《洄意》,一者為此曲創作理念之文字敘述。 《洄意》為一首管弦樂作品。全曲為五個樂章。創作理念來自馬致遠的天淨沙所得來之想法及觀點。而這首管弦樂的音樂意義不在於此首文學作品的內容描寫,而是藉由此曲所得到的美感、想法及觀點透過自身的創作來描述從小至大之成長景象。 | zh_TW |
dc.description.abstract | This thesis consists of two parts: one is titled “Re-Collection”, the orchestral composition, and the other is an interpretive essay regarding composer creative experience. “Re-Collection” is an orchestral work of five movements. Inspired by Ma Zhi-yuan’s Qu〔Chu〕(Lyric song) of Yuan Dynasty, the orchestral writing focus on how the aesthetic perception, impression and viewpoint in traditional literature transfer into musicality. Instead of dealing with literary context, Re-Collection visualizes and illustrates composer’s lifelong progression in close relation to her personal experience from childhood up till now. | en_US |
dc.language.iso | zh_TW | en_US |
dc.subject | 洄意 | zh_TW |
dc.subject | 意象 | zh_TW |
dc.subject | Re-Collection | en_US |
dc.subject | Imagination | en_US |
dc.title | 洄意 | zh_TW |
dc.title | Re-Collection | en_US |
dc.type | Thesis | en_US |
dc.contributor.department | 音樂研究所 | zh_TW |
Appears in Collections: | Thesis |