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dc.contributor.author何艾菁en_US
dc.contributor.authorHo.Ai-Chingen_US
dc.contributor.author潘世姬en_US
dc.contributor.authorPan,shyh-jien_US
dc.date.accessioned2014-12-12T02:30:05Z-
dc.date.available2014-12-12T02:30:05Z-
dc.date.issued2002en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#NT910248001en_US
dc.identifier.urihttp://hdl.handle.net/11536/70003-
dc.description.abstract本論文包括二個部分:一者為管弦樂作品《洄意》,一者為此曲創作理念之文字敘述。 《洄意》為一首管弦樂作品。全曲為五個樂章。創作理念來自馬致遠的天淨沙所得來之想法及觀點。而這首管弦樂的音樂意義不在於此首文學作品的內容描寫,而是藉由此曲所得到的美感、想法及觀點透過自身的創作來描述從小至大之成長景象。zh_TW
dc.description.abstractThis thesis consists of two parts: one is titled “Re-Collection”, the orchestral composition, and the other is an interpretive essay regarding composer creative experience. “Re-Collection” is an orchestral work of five movements. Inspired by Ma Zhi-yuan’s Qu〔Chu〕(Lyric song) of Yuan Dynasty, the orchestral writing focus on how the aesthetic perception, impression and viewpoint in traditional literature transfer into musicality. Instead of dealing with literary context, Re-Collection visualizes and illustrates composer’s lifelong progression in close relation to her personal experience from childhood up till now.en_US
dc.language.isozh_TWen_US
dc.subject洄意zh_TW
dc.subject意象zh_TW
dc.subjectRe-Collectionen_US
dc.subjectImaginationen_US
dc.title洄意zh_TW
dc.titleRe-Collectionen_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
Appears in Collections:Thesis