管絃樂曲《秋思》之音樂理念與其體現

Abstract

本論文包括兩部份: 一為管絃樂作品，二為有關作品創作理念及其體現方式之探討。本曲主要在表達因時節轉換所誘發之生命感懷，而創作理念的部份在於說明做為此創作的美學基礎和相關東西方音樂流派或音樂觀的關係，並進而以分析或綜悟的態度來說明各個樂章和樂曲整體。在表達的思想上，道家 「虛靈」的生命觀、西方存在主義哲學與美學之研究和體認，均左右了本曲的表達方式，希冀透過大地寂靜之召喚與適當之體現方式可創作一首以「秋思」為意境主體之管絃樂曲。

This thesis consists of two parts; one is the orchestral work, the other is the discussion of the compositional idea and its realization in the work. This piece presents the life reflection induced from the seasonal transition. The essay deals with the compositional idea and deals with the aesthetic basis for the composition, the relation among the oriental and western musical thought-branches, and the analysis or comprehensive description of the individual movements in relation to the totality of the piece. The manner of expression is influenced by research into and realization of the Taoist life view of “virtual spirit”, existentialist philosophy, and its attendant aesthetics. It is expected that with the silent call of the earth, the orchestral work “The Autumn Thoughts” will be composed accordingly.