Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 張維真 | en_US |
| dc.contributor.author | Wei-Chen Chang | en_US |
| dc.contributor.author | 吳庭毓 | en_US |
| dc.contributor.author | 楊建章 | en_US |
| dc.contributor.author | Ting-Yuh Wu | en_US |
| dc.contributor.author | Chien-Chang Yang | en_US |
| dc.date.accessioned | 2014-12-12T02:59:46Z | - |
| dc.date.available | 2014-12-12T02:59:46Z | - |
| dc.date.issued | 2006 | en_US |
| dc.identifier.uri | http://140.113.39.130/cdrfb3/record/nctu/#GT009346511 | en_US |
| dc.identifier.uri | http://hdl.handle.net/11536/79806 | - |
| dc.description.abstract | 本文以二十世紀作曲家史特拉汶斯基作品中的「斷裂」特徵為研究對象，與電影藝術「蒙太奇手法」做連結，探討作品《嬉遊曲》中蘊藏的蒙太奇技巧。藉由對史特拉汶斯基作品的斷裂特徵與蒙太奇的了解，透過作品結構的分析，試圖找出音樂上的蒙太奇效果，以貼近文本，尋求適於表現樂曲整體性之詮釋方式。 | zh_TW |
| dc.description.abstract | This paper studies the characteristics of discontinuity in Igor Stravinsky’s Divertimento by exploring the link between the practice of “Montage” in cinematography and Stravinsky’s discontinuous style. By a structural analysis of the piece, this paper intends to demonstrate the how the “musical Montage” in Divertimento can shed light on a better performance for the work as a whole. | en_US |
| dc.language.iso | zh_TW | en_US |
| dc.subject | 史特拉汶斯基 | zh_TW |
| dc.subject | 蒙太奇 | zh_TW |
| dc.subject | 嬉遊曲 | zh_TW |
| dc.subject | Stravinsky | en_US |
| dc.subject | Montage | en_US |
| dc.subject | Divertimento | en_US |
| dc.title | 張維真小提琴演奏會(含輔助文件:史特拉汶斯基作品中蒙太奇手法之演奏詮釋--以<<嬉遊曲>>為例) | zh_TW |
| dc.title | Wei-Chen Chang Violin Recital(with a Supporting Paper:Montage in Igor Stravinsky's Divertimento：A Performative Interpretation) | en_US |
| dc.type | Thesis | en_US |
| dc.contributor.department | 音樂研究所 | zh_TW |
| Appears in Collections: | Thesis | |
Files in This Item:
If it is a zip file, please download the file and unzip it, then open index.html in a browser to view the full text content.
