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dc.contributor.author陳昕en_US
dc.contributor.authorHsin Chenen_US
dc.contributor.author辛幸純en_US
dc.contributor.author金立群en_US
dc.contributor.authorHsing-Chwen Hsinen_US
dc.contributor.authorLap Kwan Kamen_US
dc.date.accessioned2014-12-12T02:59:46Z-
dc.date.available2014-12-12T02:59:46Z-
dc.date.issued2006en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT009346512en_US
dc.identifier.urihttp://hdl.handle.net/11536/79807-
dc.description.abstract摘要 本文以德布西風格與前奏曲美學的討論為起點，探討其前奏曲第一冊第五首《阿納卡普里的丘陵》的曲式與結構，並藉由樂譜版本與錄音比較，尋求合適的詮釋，尤其是踏版運用與演奏速度的問題。 關鍵字：德布西風格，前奏曲美學，踏板運用，樂譜比較，錄音比較zh_TW
dc.description.abstractAbstract Starting with a discussion of Debussy’s musical style and the aesthetic of prelude, this paper studies his “Les collines d’Anacapri” from Préludes Book 1 No. 5, concentrating on its form and structure, as well as interpretational issues such as pedaling and tempo. Comparisons of the available editions and recordings are also provided.en_US
dc.language.isozh_TWen_US
dc.subject德布西風格zh_TW
dc.subject前奏曲美學zh_TW
dc.subject踏板運用zh_TW
dc.subject樂譜比較zh_TW
dc.subject錄音比較zh_TW
dc.subjectDebussy’s styleen_US
dc.subjectaesthetic of preludeen_US
dc.subjectpedalingen_US
dc.subjecteditionsen_US
dc.subjectrecordingsen_US
dc.title德布西前奏曲《阿納卡普里的丘陵》：風格•美學•詮釋zh_TW
dc.titleDebussy’s Prelude Les collines d’Anacapri: Style, Aesthetic, and Interpretationen_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
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