標題: 德布西前奏曲《阿納卡普里的丘陵》:風格•美學•詮釋
Debussy’s Prelude Les collines d’Anacapri: Style, Aesthetic, and Interpretation
作者: 陳昕
Hsin Chen
辛幸純
金立群
Hsing-Chwen Hsin
Lap Kwan Kam
音樂研究所
關鍵字: 德布西風格;前奏曲美學;踏板運用;樂譜比較;錄音比較;Debussy’s style;aesthetic of prelude;pedaling;editions;recordings
公開日期: 2006
摘要: 摘要 本文以德布西風格與前奏曲美學的討論為起點,探討其前奏曲第一冊第五首《阿納卡普里的丘陵》的曲式與結構,並藉由樂譜版本與錄音比較,尋求合適的詮釋,尤其是踏版運用與演奏速度的問題。 關鍵字:德布西風格,前奏曲美學,踏板運用,樂譜比較,錄音比較
Abstract Starting with a discussion of Debussy’s musical style and the aesthetic of prelude, this paper studies his “Les collines d’Anacapri” from Préludes Book 1 No. 5, concentrating on its form and structure, as well as interpretational issues such as pedaling and tempo. Comparisons of the available editions and recordings are also provided.
URI: http://140.113.39.130/cdrfb3/record/nctu/#GT009346512
http://hdl.handle.net/11536/79807
Appears in Collections:Thesis


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