管絃樂曲《幻影》之音樂理念與其體現

Abstract

本論文包括兩部份: 一為音樂創作—管絃樂作品，二為文字的說明—對論文作品的理念與其體現之探討。此篇論文作品在於體現「音樂作為一個表情世界」的想法，強調音樂空間的性格、音樂意義單元的自存性與併貼的技巧。在文字說明方面，對音樂理念―「音樂作為一個表情世界」突顯其人文、心理的基礎並以作品中不同特質的自存性之意象單元來例證此曲所依據的理念之可能。

This thesis is mainly divided into two parts: the first part is a musical composition - the orchestral work, and the second part is a written argument - discussion on the musical work's idea and its presentation. The musical work is to present the idea that music is regarded as an expressive world in which the character of musical mnemonic time-space, the self-sufficiency of a musical unit and the skill of collage are emphasized. Besides, the written argument focuses on the human and mental bases of the idea of music as an expressive world, and takes various musical units from the thesis composition, which have self-sufficient images to exemplify the discussed idea above.