室內樂曲「聞鐘」及其創作理念

Abstract

本論文包括二個部份：第一部份為室內樂曲「聞鐘」之創作理念及設計的文字敘述，第二部份為室內樂曲「聞鐘」。 「聞鐘」採單一樂章的型式，為長笛、低音豎笛、小提琴、低音提琴、豎琴及打擊樂而創作的作品。以「聞鐘」為樂曲名稱，源於對唐詩「聞鐘」一詩中意境的想像。全曲試圖以聲音表現寂靜幽遠的美感，並表達個人對詩中意境的想像與感受。文字部份敘述對詩中空間意象的探討，並進而作為整曲音樂結構設計的依據。

This thesis consists of two parts compositional ideas of my chamber work “Silence” and the full score of this composition. "Silence" is a single-movement chamber work for flute, bass charinet, violin, double bass, percussion for two and harp. It was inspired by the conception of Tang poetry "Wen-Chong". In the composition, I tried to express the feelings and imagination of silence and seclusion, which are the main thoughts in this poem. The written part in the thesis discusses the sense of imageries from this poem and the analysis on the structure of this work is also included.