鄭乃銓多媒體音樂作品發表會含輔助文件《嵓嵒》原創作品與註釋

Abstract

本輔助文件包括兩個部份，第一部分為《嵓喦》多媒體音樂之創作理念、素材、設計及其與曲體架構之說明；第二部份為 《嵓喦》多媒體音樂作品分析及樂譜範例。

此曲標題『喦嵓』兩字（ㄧㄢˊㄧㄢˊ），皆是“癌”的古字；其原意為“岩石”，係形容崎嶇不平的樣貌。本作品主要藉由癌症形成以及變化過程的意象入題，並此以暗喻人在社會化後所產生種種的性格改變，統合成音樂、視覺的舞台發想素材。在樂曲編制的部分則為打擊、小提琴、低音豎笛、互動電聲與即時影像的整合。

論文共分五個章節，第一章節為緒論；第二章為創作理念與背景，論述癌的自然現象以及與所延伸出的概念與架構；第三章為素材的架構設計，針對素材的使用、曲式架構、段落安排、舞台互動呈現與文本的關係加以詳述；第四章為技術呈現解說，詳述技術與文本的關係並進行分析討論；第五章為本論文之結語。

This supporting document consists of two parts. The first part comprises the idea, the design, and the structure of this composition, Yan-Yan(嵓喦). In the second part, it consists of multimedia composition and the music score.

This title,“嵓喦”, is the ancient type of the Chinese word, “癌”, which means cancer in English. However, the original meanings of both word, “嵓” and “喦”, is rock and can be inferred to the rough condition. This work is a metaphor combines the phenomenon of cancer formation and the processes during the disease, and it is, moreover, a kind of presentation of the socialization processes of a human being. Therefore, there are percussion, violin, bass clarinet, electric sound, and images composed in this work to represent the concept above and be the stage resource of the music and vision.

The thesis contains five chapters. Chapter 1 is a preface, chapter 2 is the discussion of the composition incentives and its backgrounds, chapter 3 is structure design which covers the material, the style, the paragraph, the interaction of the stage, and the relationship of the design concepts, chapter 4 is the technology explanation, and chapter 5 is the conclusion.