柯若櫻擊樂演奏會(含輔助文件：從東方禪學和武士道探討平義久的《凝聚 I 》)

Abstract

此論文以平義久的「凝聚I」為詮釋的文本，透過瞭解作曲家生平及理性分析為基礎，再試圖以東方禪學及日本武士道的精神來探討樂曲的言外之意、弦外之音。「凝聚I」這首樂曲意象鮮明，其寂靜之聲更顯作曲者對東方「無我」美學的默照之心。最後實際上的詮釋，顯露筆者自身知覺所碰撞出的世界。並且參與其中得到的開啟及經驗。

Interpretations conveyed in this thesis are based on the musical work “Convergence I”, of which the composer is Yoshihisa Ta?ra. Through the musician’s life story and rational analysis, this thesis tries to explore the overtones of this piece from the concept of Eastern Zen and Bushido.“Convergence I” has active images, its alive silence reflects the composer’s comprehension of eastern aesthetics “nil ego”. The actual interpretation reveals the universe that came to image upon the mutual movements of her interior sensations, together with the enlightenment and experiences which the musician went through while taking part.