演奏詮釋探討-舒曼作品九狂歡節

Full metadata record

DC Field	Value	Language
dc.contributor.author	郭晨節	en_US
dc.contributor.author	Kuo Chen Chieh	en_US
dc.contributor.author	蔣茉莉	en_US
dc.contributor.author	Moli Chiang	en_US
dc.date.accessioned	2014-12-12T02:59:43Z	-
dc.date.available	2014-12-12T02:59:43Z	-
dc.date.issued	2006	en_US
dc.identifier.uri	http://140.113.39.130/cdrfb3/record/nctu/#GT009346503	en_US
dc.identifier.uri	http://hdl.handle.net/11536/79798	-
dc.description.abstract	這篇文章主要以舒曼作品九《狂歡節》為對象，作深入的探討，藉由對作曲家鋼琴作品創作手法的了解，以本文為主要依據，由速度、力度、運音法與踏板等面向切入，討論作品狂歡節之詮釋方向。	zh_TW
dc.description.abstract	This essay will have its main focus on the performance and interpretation of Schumann’s “ Carnaval ”, Opus9. A research on its musical context is also included to support the performer with a better understanding of the composer’s writing style.	en_US
dc.language.iso	zh_TW	en_US
dc.subject	舒曼	zh_TW
dc.subject	狂歡節	zh_TW
dc.subject	鋼琴	zh_TW
dc.subject	演奏	zh_TW
dc.subject	Schumann	en_US
dc.subject	Carnaval	en_US
dc.subject	Piano	en_US
dc.subject	Performance	en_US
dc.title	演奏詮釋探討-舒曼作品九狂歡節	zh_TW
dc.title	An Essay on Schumann`s "Carnaval ", Opus9: Context and Performance Practice	en_US
dc.type	Thesis	en_US
dc.contributor.department	音樂研究所	zh_TW
Appears in Collections:	Thesis