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dc.contributor.author郭晨節en_US
dc.contributor.authorKuo Chen Chiehen_US
dc.contributor.author蔣茉莉en_US
dc.contributor.authorMoli Chiangen_US
dc.date.accessioned2014-12-12T02:59:43Z-
dc.date.available2014-12-12T02:59:43Z-
dc.date.issued2006en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT009346503en_US
dc.identifier.urihttp://hdl.handle.net/11536/79798-
dc.description.abstract這篇文章主要以舒曼作品九《狂歡節》為對象，作深入的探討，藉由對作曲家鋼琴作品創作手法的了解，以本文為主要依據，由速度、力度、運音法與踏板等面向切入，討論作品狂歡節之詮釋方向。zh_TW
dc.description.abstractThis essay will have its main focus on the performance and interpretation of Schumann’s “ Carnaval ”, Opus9. A research on its musical context is also included to support the performer with a better understanding of the composer’s writing style.en_US
dc.language.isozh_TWen_US
dc.subject舒曼zh_TW
dc.subject狂歡節zh_TW
dc.subject鋼琴zh_TW
dc.subject演奏zh_TW
dc.subjectSchumannen_US
dc.subjectCarnavalen_US
dc.subjectPianoen_US
dc.subjectPerformanceen_US
dc.title演奏詮釋探討-舒曼作品九狂歡節zh_TW
dc.titleAn Essay on Schumann`s "Carnaval ", Opus9: Context and Performance Practiceen_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
顯示於類別：畢業論文


文件中的檔案：

  1. 650301.pdf

  2. 650302.pdf

  3. 650303.pdf

  4. 650304.pdf

  5. 650305.pdf

  6. 650306.pdf

  7. 650307.pdf

  8. 650308.pdf

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