小三度動機與八音調式之展現及碰撞---克倫姆大提琴獨奏奏鳴曲分析與演奏詮釋

Abstract

本文以克倫姆的大提琴獨奏奏鳴曲為研究範疇, 從樂曲中小三度動機與八音音階調式的 個別發展以及相互融合時所產生的效果進行分析與研究， 並以分析的結果為基礎， 尋得此奏鳴曲在演奏詮釋上最適宜的音樂表現。

Focused on George Crumb's Solo Sonata for Violoncello, this paper provides a detailed analysis of Crumb's use of sound materials in this pieces, including the presentations of minor-third motives and octatonic scale, their developments,transformations, and interweaving sound effects. Based on the analysis,this paper proposes appropriate musical expression and interpretation .