張維真小提琴演奏會(含輔助文件:史特拉汶斯基作品中蒙太奇手法之演奏詮釋--以<<嬉遊曲>>為例)

Abstract

本文以二十世紀作曲家史特拉汶斯基作品中的「斷裂」特徵為研究對象，與電影藝術「蒙太奇手法」做連結，探討作品《嬉遊曲》中蘊藏的蒙太奇技巧。藉由對史特拉汶斯基作品的斷裂特徵與蒙太奇的了解，透過作品結構的分析，試圖找出音樂上的蒙太奇效果，以貼近文本，尋求適於表現樂曲整體性之詮釋方式。

This paper studies the characteristics of discontinuity in Igor Stravinsky’s Divertimento by exploring the link between the practice of “Montage” in cinematography and Stravinsky’s discontinuous style. By a structural analysis of the piece, this paper intends to demonstrate the how the “musical Montage” in Divertimento can shed light on a better performance for the work as a whole.