標題: | 德布西前奏曲《阿納卡普里的丘陵》:風格•美學•詮釋 Debussy’s Prelude Les collines d’Anacapri: Style, Aesthetic, and Interpretation |
作者: | 陳昕 Hsin Chen 辛幸純 金立群 Hsing-Chwen Hsin Lap Kwan Kam 音樂研究所 |
關鍵字: | 德布西風格;前奏曲美學;踏板運用;樂譜比較;錄音比較;Debussy’s style;aesthetic of prelude;pedaling;editions;recordings |
公開日期: | 2006 |
摘要: | 摘要
本文以德布西風格與前奏曲美學的討論為起點,探討其前奏曲第一冊第五首《阿納卡普里的丘陵》的曲式與結構,並藉由樂譜版本與錄音比較,尋求合適的詮釋,尤其是踏版運用與演奏速度的問題。
關鍵字:德布西風格,前奏曲美學,踏板運用,樂譜比較,錄音比較 Abstract Starting with a discussion of Debussy’s musical style and the aesthetic of prelude, this paper studies his “Les collines d’Anacapri” from Préludes Book 1 No. 5, concentrating on its form and structure, as well as interpretational issues such as pedaling and tempo. Comparisons of the available editions and recordings are also provided. |
URI: | http://140.113.39.130/cdrfb3/record/nctu/#GT009346512 http://hdl.handle.net/11536/79807 |
顯示於類別: | 畢業論文 |