吳宜蓁電子音樂作品發表會 (含輔助文件: 電聲音樂創作技法與理念之探討)

Abstract

近年來，電腦音樂的創作與其研究已逐漸地被重視，許多關於電腦音樂相關的學術文獻資料亦大量的增加，音樂的創作與演奏已逐漸地與電腦相互結合，也因為如此，它帶給我們音樂創作者的，是一個新的契機與新的挑戰。 本論文分為兩部份: 一為電聲音樂作品，二為有關作品創作理念及其體現方式之探討，並且同時包含電子聲音之創作技法與音色合成技術之敘述。 論文第一章主要介紹電腦音樂的歷史背景與本論文之寫作動機與研究目的，第二章則探討美學概念在電腦音樂創作上之應用，第三章主要討論電聲音樂創作之技巧及電腦軟體的運用及操作，第四章則屬於作品的呈現及樂曲解析，第五章為結論。 此論文之內容將論述電聲音樂的創作技法、作曲之理念與美學，以聲波合成技術與電腦軟體之運用作為音樂創作之示範過程與以期體現電子音樂創作之美學價值。

In recent years we have seen growing importance placed on research in computer music composition, and we also have seen increased attention being given to Research Papers in the literature about electroacoustic music; this is because musical creation has integrated the computer into performance and composition. As a result, it has given us new opportunities and challenges to explore new discoveries.

This thesis contains two parts: one is the electroacoustic music works, the other is the discussion of the compositional idea and the analysis of compositional technique. The compositional technique part will discuss the method of sound synthesis and how to operate the computer software to produce various special synthetic sounds. In addition, the concept of sound organization will also discuss aesthetics.

There are five chapters in this thesis: chapter one introduces computer music and its brief history, chapter two presents esthetics of composition, chapter three describes compositional techniques and sound organization, chapter four will present five electroacoustic music works and their analysis and demonstrations, chapter five is the conclusion.

The content of this thesis will present the creational ideas and concepts , as well as the demonstrational process of synthetic techniques. I expect that this thesis about the discussion of electroacoustic music composition is worthwhile and useful.