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dc.contributor.author林依頻en_US
dc.contributor.authorYi-Pin Linen_US
dc.contributor.author楊建章en_US
dc.contributor.author劉姝嫥en_US
dc.contributor.authorChien-Chang Yangen_US
dc.contributor.authorShu-Zhuan Liuen_US
dc.date.accessioned2014-12-12T02:59:44Z-
dc.date.available2014-12-12T02:59:44Z-
dc.date.issued2006en_US
dc.identifier.urihttp://140.113.39.130/cdrfb3/record/nctu/#GT009346505en_US
dc.identifier.urihttp://hdl.handle.net/11536/79800-
dc.description.abstract本文以克倫姆的大提琴獨奏奏鳴曲為研究範疇, 從樂曲中小三度動機與八音音階調式的 個別發展以及相互融合時所產生的效果進行分析與研究, 並以分析的結果為基礎, 尋得此奏鳴曲在演奏詮釋上最適宜的音樂表現。zh_TW
dc.description.abstractFocused on George Crumb's Solo Sonata for Violoncello, this paper provides a detailed analysis of Crumb's use of sound materials in this pieces, including the presentations of minor-third motives and octatonic scale, their developments,transformations, and interweaving sound effects. Based on the analysis,this paper proposes appropriate musical expression and interpretation .en_US
dc.language.isozh_TWen_US
dc.subject克倫姆zh_TW
dc.subject大提琴獨奏奏鳴曲zh_TW
dc.subjectCrumben_US
dc.subjectSolo Sonata for Violoncelloen_US
dc.title小三度動機與八音調式之展現及碰撞---克倫姆大提琴獨奏奏鳴曲分析與演奏詮釋zh_TW
dc.titleMotive and Octatonic Scale in Crumb's Solo Sonata for Violoncelloen_US
dc.typeThesisen_US
dc.contributor.department音樂研究所zh_TW
Appears in Collections:Thesis


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