標題: 演奏詮釋探討-舒曼作品九狂歡節
An Essay on Schumann`s "Carnaval ", Opus9: Context and Performance Practice
作者: 郭晨節
Kuo Chen Chieh
蔣茉莉
Moli Chiang
音樂研究所
關鍵字: 舒曼;狂歡節;鋼琴;演奏;Schumann;Carnaval;Piano;Performance
公開日期: 2006
摘要: 這篇文章主要以舒曼作品九《狂歡節》為對象,作深入的探討,藉由對作曲家鋼琴作品創作手法的了解,以本文為主要依據,由速度、力度、運音法與踏板等面向切入,討論作品狂歡節之詮釋方向。
This essay will have its main focus on the performance and interpretation of Schumann’s “ Carnaval ”, Opus9. A research on its musical context is also included to support the performer with a better understanding of the composer’s writing style.
URI: http://140.113.39.130/cdrfb3/record/nctu/#GT009346503
http://hdl.handle.net/11536/79798
Appears in Collections:Thesis


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