多重與單一

Abstract

此論文為分成五個建築設計案，每個設計案之間並無關聯，各自有獨立探討的議題，而一開始也沒有預設好要對整個論文提出什麼研究方法或是研究主題，而是在整合所有設計案時對自己的創作提出一個概念「多重與單一」，這兩個字眼是形容看的到的建築空間、材料與構法等，不斷的追求建築美學，而「多重與單一」的另一個意義則是形容看不見的氛圍，包含人文、社會與自然等，這是更超越建築美學上的體會，然而這個部分的了解是需要用一生去了解的，而這五個設計案都嘗試了解這兩個部分，雖然沒有正確的答案，但都是一起與老師同學相互激盪思索出來的作品，更期待未來有更好的作品呈現。

This thesis includes five projects, and among these projects, there is no absolute relevance. Moreover, each of them has its won specific issue respectively. During the collecting process, I have no intended methodology or the topic for this thesis in advance. Only when I try to integrate all these projects, a concept—Multi-unity—is proposed. To specify this, the character, Multi-unity, describes the visible architectural esthetics, such as space, materials, tectonics, etc. Meanwhile, on the other hand, Multi-unity also presents those invisible auras, including culture, society and nature. Especially in the second invisible part, it is even the realization more beyond the architectural esthetics, and needs to be explored further during the whole life. Among all these five projects, I tried to realize both these two parts. Although, till now, there are no absolute answers, by means of interacting with teachers and classmates, I am looking forward to the appearance of the better performance in the future.